Document Type

Thesis

Date of Degree Completion

Spring 1972

Degree Name

Master of Arts (MA)

Department

Music

Committee Chair

Lynn D. Dupin

Second Committee Member

Herbert A. Bird

Third Committee Member

Joseph S. Haruda

Abstract

This paper examines the text, the harmonic, tonal, melodic and stylistic characteristics of the cycle Vier ernst Gesange, op. 121 by Johanne Brahms as they relate to preparation for authoritative interpretation in formal concert performance. The study includes reference to particular events in the composer's life which directly influenced his decision to compose this final vocal work. In addition specific problems to be met in vocal technique, interpretative insight and German diction are discussed.

Share

COinS