The Transcription of Paul Creston's Rhythmicon for Guitar

Author

Geary Scott Thompson, Central Washington University

Document Type

Thesis

Date of Degree Completion

Summer 1972

Degree Name

Master of Arts (MA)

Department

Music

Committee Chair

Paul Creston

Second Committee Member

Herbert A. Bird

Third Committee Member

Robert M. Panerio

Abstract

Utilizing the music of the contemporary American composer, Paul Creston, the purpose of this study was to compare the idiomatic differences and technical capabilities of the piano and the guitar. This study of the transcription process, and the problems that arise in adapting piano literature to the guitar, has had binary results: a challenging collection of rhythmic studies, for the guitarist, as well as possible additions to his concert repertoire.

It was recommended that the initial guitar fingering of each piece be indicated; and phrase markings should be added where possible.

Recommended Citation

Thompson, Geary Scott, "The Transcription of Paul Creston's Rhythmicon for Guitar" (1972). All Master's Theses. 2031.
https://digitalcommons.cwu.edu/etd/2031

Comments

This thesis includes a musical score. To access it, email Scholarworks@cwu.edu.