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Keywords

Italian Renaissance art, Assumption of the Virgin, patronage, Cult of Mary, humanism

Abstract

This study examines religious artistic works by Renaissance Florentine masters in the late fifteenth and early sixteenth centuries, employed as instruments of spiritual inspiration and devices of persuasion in the Republic. Through their depictions of Old and New Testament stories, artists portrayed significant biblical characters and ideals to both enlighten and influence. Not surprisingly, the life of the Virgin Mary was a popular subject of such pieces. However, one important event commonly illustrated was never definitively described in the Bible: that of the Virgin’s Assumption into Heaven. Earlier studies have considered patron influence in fifteenth-century Italian Renaissance interpretations of religious narratives; however, the impact of artists and their patrons on the evolution of Assumption images in Florence from this period has remained essentially unexplored. This paper asserts that an analysis of compositions by Domenico Ghirlandaio, Rosso Fiorentino, and Andrea del Sarto demonstrates a progression from the theme’s traditional portrayal to those innovatively reimagined to impart personal and distinctive statements. Further, it reveals the Virgin’s Assumption to be a subject transformed by profound Marian devotion and humanistic ideals. An exploration of selected works by prominent Florentine artists depicting the Assumption of Mary demonstrates varying methods of composition and style directly related to the spiritual, political, and social motivations of their religious and private sponsors. In doing so, this inquiry also provides significant insight into the evolution of the theme’s artistic representation and the intended motives of its varied patrons.

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