Document Type

Thesis

Date of Degree Completion

Summer 1973

Degree Name

Master of Arts (MA)

Department

Music

Committee Chair

John DeMerchant

Second Committee Member

Gordon E. Leavitt

Third Committee Member

Henry J. Eickhoff

Abstract

The paper discusses the irony of love as expressed in the Dichterliebe song cycle of Robert Schumann on the poems of Heinrich Heine.

Schumann's relationship to the Romantic era is discussed, as well as the basic musical style of the work. The irony inherent in five of the songs exposed, as are the musical techniques and devices through which Schumann expresses it musically.

The Dichterliebe is shown to be a partnership, where the words and the music benefit and compliment each other.

Comments

An integral part of this covering paper is a tape recording of a graduate recital performed on February 20, 1973 as part of the requirement for the completion of the thesis. To access it, email ScholarWorks@cwu.edu

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